A guide to making great writing advice work for you!

Writing is hard. Not only do you have to find your own inspiration, but you have to deal with so much advice. It can be insanely confusing for new or struggling writers. I’m going to unravel said writing advice in the hopes of making it easier to follow and understand.

From the blog…

Unravelling Writing Advice – How Often To Write!

Introducing my new series Unravelling Writing Advice where I explain how the advice works and adapts for every writer. Most of the advice I’ve seen talks about weekly goals and daily writing schedules. It helps keep you organised and motivated. Without regular goals, your writing time can get lost in the haze that is the […]

Unravelling Writing Advice – Show Don’t Tell!

Another installment from Unravelling Writing Advice series. Firstly, what is “tell” and what is “show?” Telling – He was tired.  Showing – His limbs became heavy, and his eyelids fluttered. Okay, so that was a quick example. But you get the point. The first example outright tells us how he feels whereas the second describes […]

Unravelling Writing Advice – When to Hire and Editor!

Another installment from Unravelling Writing Advice series. I’ve never hired an editor, and there’s a reason for that. Let me explain… When it comes to hiring editors, I’ve discovered there are three types of writer. The writer who gets an editor before they’ve finished their WIP or pays an editor even though they plan to […]

Unravelling Writing Advice – He Said, She Said.

Another installment from Unravelling Writing Advice series. I find there’s a huge divide when it comes to using said/asked as a dialogue tag and when to use a synonym. I’ve read books that are extreme one way or the other and feel strongly that limiting to said is boring while overusing synonyms gets too much. […]

Unravelling Writing Advice – Every Scene Must Move the Story Forward

I completely agree with this. But there’s often some misunderstandings as to what elements are capable of moving a story forward. Most people think of plot movement, which is like the skeleton of a story. It’s the structure that holds everything together, otherwise your story is just a mass of flesh and gooey gross body […]

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